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What is Wrong with Indian Films Summary in English |
What is Wrong with Indian Films Summary in English: In this article, we will provide all students with a summary of What is Wrong with Indian Films in English. Also, in this article, we will also provide What is Wrong with Indian Films Summary in English for ease of students. Our only goal is to help students prepare for the upcoming exams. We have extracted a summary of all chapters of and have uploaded them in English and English for easy understanding and quick learning. If you have questions regarding the What is Wrong with Indian Films Summary in English please let us know in the comments.
What is Wrong with Indian Films Summary in English
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What is Wrong with Indian Films Summary in English
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Cinema is one of the most important events of these days. It has a great authority on every creative expression.
Cinema combines works of poetry, music, painting, drama and architecture. Film production in India started in 1907. Now India has become second only to Hollywood in film production. But the author questions here.
Why are our films not shown abroad? He himself replies that he is ashamed of his films. Indian films do not deal with honesty and they lack maturity. Every worker or technician lays the blame on each other.
The author considers American film to be bad. Most of the Indian movies are full of such 'visual anomalies'. So he suggests that Indian cinema today needs not more brilliance but more imagination, more integrity and a more intelligent appreciation of the limits of the medium.
What is Wrong with Indian Films Summary in Hindi
Students can check below the What is Wrong with Indian Films Summary in Hindi. Students can bookmark this page for future preparation of exams.
सिनेमा इन दिनों की सबसे महत्वपूर्ण घटनाओं में से एक है। हर रचनात्मक अभिव्यक्ति पर इसका बहुत अच्छा अधिकार है।
सिनेमा कविता, संगीत, चित्रकला, नाटक और वास्तुकला के कार्यों को जोड़ती है। भारत में फिल्म निर्माण की शुरुआत 1907 में हुई थी। अब भारत फिल्म निर्माण में हॉलीवुड के बाद दूसरा स्थान बन गया है। लेकिन लेखक यहां सवाल करता है।
हमारी फिल्में विदेशों में क्यों नहीं दिखाई जाती? वह खुद जवाब देते हैं कि उन्हें अपनी फिल्मों पर शर्म आती है। भारतीय फिल्में ईमानदारी का सौदा नहीं करतीं और उनमें परिपक्वता की कमी होती है। हर कार्यकर्ता या तकनीशियन एक दूसरे पर दोषारोपण करते हैं।
लेखक अमेरिकी फिल्म को खराब मानते हैं। अधिकांश भारतीय फिल्में ऐसी 'दृश्य विसंगतियों' से भरी हुई हैं। इसलिए वह सलाह देते हैं कि आज भारतीय सिनेमा को अधिक चमक नहीं बल्कि अधिक कल्पना, अधिक अखंडता और माध्यम की सीमाओं की अधिक बुद्धिमान प्रशंसा की आवश्यकता है।
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